
Kris Delmhorst
Over more than 25 years as an independent artist, Kris Delmhorst has built a body of work characterized by wide-ranging, genre-agnostic curiosity and constant collaboration. In addition to her nine critically-acclaimed studio albums, she’s written music for films and TV, contributed as a producer, player, and or/singer to scores of fellow artists’ work, and performed thousands of shows across the US and Europe.
Delmhorst’s new album Ghosts in the Garden (3/7/25) is a layered, kaleidoscopic meditation on grief, loss, and fate. Working at Great North Sound Society, a studio built into an 18th-century Maine farmhouse that no doubt harbors ghosts of its own, Delmhorst tracked live with Ray Rizzo on drums, Jeremy Moses Curtis on bass, and Erik Koskinen on guitars. An illustrious procession of guest vocalists – Anaïs Mitchell, Rose Cousins, Anna Tivel, Ana Egge, Taylor Ashton, Rachel Baiman, Jabe Beyer, and Jeffrey Foucault – brings prismatic brilliance to the tracks, refracting the individual slant of each song’s light.
Inhabiting the record are a host of vivid spirits made tangible: the departed and the disappeared, sins and their consequences; lost loves, missed chances, and the invisible sorrows that accompany us all. With richly observed details and finely calibrated emotional range, Delmhorst finds the wavelength that illuminates these multitudes and invites them into an expansive conversation about the ways we’re shaped by loss, and woven together by unseen threads of love.
Kris Delmhorst lives in western Massachusetts with her husband, the songwriter Jeffrey Foucault, and their daughter.
https://www.krisdelmhorst.com/about
Jeffrey Foucault
In two decades on the road Jeffrey Foucault has become one of the most distinctive voices in American music, refining a sound instantly recognizable for its simplicity and emotional power. With a string of critically acclaimed studio albums – “Stark, literate songs that are as wide open as the landscape of his native Midwest” (The New Yorker), “Beat-up troubadour folk whittled to dolorous perfection” (Uncut), “Songwriting Brilliance,” (Irish Times) – he’s built a brick-and-mortar international touring career and a devoted following, one that includes luminaries like Van Dyke Parks, Greil Marcus, and Don Henley.
https://jeffreyfoucault.com/press Photos by by Joe Navas
The Suitcase Junket
Matt Lorenz’s vision, manifest in The Suitcase Junket, developed in the tension between the grand and the solitary. Grand in its imagery, sound, and staging. Solitary in its thrift and self-reliance. What instruments he requires, Lorenz builds from scratch and salvage. What parts five players would perform, he performs alone. The spectacle of his one-man set bears constant comparison to legends of showmanship, brilliance, madness, and invention.
While audiences are captivated by his solitary form and the show itself, Lorenz, who homesteads in rural Western Massachusetts, is most serious about the songs. He has been building a catalog, writing a world into existence. Solitary on stage and on the road, his mind is crowded with characters, narratives, voices, imagery, sounds as wide and varied as mountain throat singers and roadhouse juke boxes, plus newsreels of the planet’s destruction and salvage. With this 2020 release, The End is New, Lorenz’s grand vision for the song overrides the how of it.
https://thesuitcasejunket.com/home/#about
Zak Trojano
Zak Trojano is a songwriter and multi-instrumentalist, a finger-style guitar player, a fly-fisherman, and a beer drinker. In recent years, Trojano’s solo work has found the spotlight with discerning listeners everywhere. Stage by stage, in clubs, music halls, bars, and coffee houses across the country, he has honed a live show that keeps audiences glued to the stage, like a rare conversation with an old friend who doesn’t usually say much, but plays a mean guitar.
In over a decade writing, recording, and performing music professionally and sharing studios and stages with his band Rusty Belle, or supporting touring acts like Chris Smither, Kris Delmhorst, Jeffrey Foucault, and Peter Mulvey, Zak Trojano has evolved his own thing: A warm baritone supported by an old Martin guitar and low tuned Weissenborn lap steel. His complex finger style technique was born out of the country blues tradition through years of immersion in the work of players as diverse as John Fahey, Chet Atkins, and Merle Travis.
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